Programming
Full Calendar · Arts & Culture · Food & Agriculture · Health & Healing
7 AM full menu
Bar & juice 7 AM–2 AM
7 AM full menu
Bar & juice 7 AM–2 AM
7 AM full menu
Bar & juice 7 AM–2 AM
7 AM full menu
Eve: spirit-free only
7 AM full menu
Eve: Fried Food + DJ
Eve events when scheduled
1st Sat: Reception
Eve: Dinner Concert
Last Sat: Heritage Night
Yoga · Meditation
Community programs
Bar & juice all day
Mocktail Night is not a compromise — it is an event in its own right. The bar becomes a zero-proof cocktail bar. The juice bar becomes a creative partner. The result is an evening of beautifully crafted, complex, social drinks that happen to contain no alcohol. No one needs to explain themselves. No one is the odd one out. The room is simply social, and the drinks are simply good.
The evening attracts a distinct audience that Friday and Saturday don't reach: sober curious, people of faith, health-focused guests, athletes, parents, designated drivers, and anyone who wants a sophisticated social night without the alcohol. Over time, Mocktail Night builds its own regular community.
of month
detroit contemporary opened on November 14, 1998. For the gallery's one-year anniversary party in December 1999, Aaron Timlin invited Scott Craig and Brad Hales to DJ the evening. The night went so well that the three decided on the spot to make it a regular monthly event, which they called Free Funk Fridays. When a modest $5 admission was eventually introduced, the name became Funk Night. After that, the rest is history — nearly a decade of monthly all-vinyl funk and soul at detroit contemporary, one of the most beloved underground events the city has produced.
When Timlin later became president and chair of the Contemporary Art Institute of Detroit — the long-established nonprofit arts organization founded by Charles McGee — CAID occupied the space formerly held by detroit contemporary and continued essentially the same programming, Funk Night included.
At Cass Café, Funk Night returns in a form that honors its roots while finding a new rhythm: deeper, more chilled, running longer — with events ending by midnight, then events ending by midnight. And it is fitting that detroit contemporary — which presented all those early exhibitions at the gallery where Funk Night began — is now the presenting organization for all exhibitions at Cass Café.
First Saturday
Most Saturdays
Last Saturday
All exhibitions at Cass Café are planned and presented by detroit contemporary — founded by Aaron Timlin in 1998. The curatorial partnership is organic, historical, and ongoing. Art on the walls of Cass Café is never incidental — it is presented with the same rigor and community intention that has defined detroit contemporary for nearly three decades.
Exhibitions open on the first Saturday of each month with a dedicated evening that belongs entirely to the art. A VIP preview reception from 5 to 6 PM is held for members, artists, donors, collectors, and invited guests — unhurried, private, with full bar. At 6 PM the doors open to the public for a free reception through 10 PM. No competing dinner concert programming on first Saturdays — the opening has the room to itself. The work then remains on view through the month, visible during all café hours, all bar service, and all Sunday programming.
PuppetART was founded in 1995 as the American Russian Theater Company — a traveling troupe of Russian puppeteers who emigrated to Detroit seeking new beginnings and found in this city a home for their art. By 1998, they had established themselves downtown as PuppetART Detroit Puppet Theater: a small theater, studio, and museum that over the following two decades inspired an estimated 200,000 children and adults across Southeast Michigan. School tours, apprenticeships, workshops, variety shows, and a rotating repertoire of thirteen productions made PuppetART one of the rarest things in the American arts landscape — a professional puppet theater with deep roots in a community that genuinely claimed it as its own. As PuppetART's founding artistic director Lyudmila Mikheyenko has said: "People pretend to be somebody on stage, and puppets never pretend."
When PuppetART lost its longtime downtown home to the pressures of a gentrifying city, the Chalfonte Foundation stepped in. Cass Café becomes PuppetART's new performing home. The LaRose House — the Foundation's Victorian building a few blocks from the café — serves as storage, rehearsal space, and training facility for the company. The goal is to rebuild what was lost: school tour programming, a new statewide touring initiative, and the kind of sustained community presence that PuppetART built over twenty years. Pancakes with Puppets on Saturday mornings is where that rebuilding begins.
The Saturday morning event has a clear theatrical arc. Families arrive and get settled with breakfast and brunch while a puppet host works the room — banter with the human guests, interactions with families, the kind of warmth that gets a room comfortable and ready. When the time comes, the host brings out members of the cast one by one for brief interviews: who are you, what's your role in the show, what should the audience know before the curtain rises. Then the full performance — one complete show from PuppetART's repertoire, performed in its entirety. A morning that moves from meal to conversation to theater, with puppetry running through all of it.
Saturday Dinner Concerts are among the most distinctive programming at Cass Café — a curated pairing of a Detroit or Michigan musical act with either a pop-up restaurant or, on Heritage Night, the Cass kitchen itself. The model is dinner and a show in the same room: guests purchase tickets in advance that include their meal, are assigned seating, and spend the evening at their table with food and drinks as the performance happens around them. The meal comes first, creating the ease and warmth a room needs before music fully takes it over. The bar remains available throughout.
Tickets are purchased in advance — a model that eliminates no-shows, allows the kitchen to prep precisely for the number of covers, and creates a predictable evening for both staff and guests. Pricing is tiered: seats near the stage command a higher price; balcony seating offers a slightly lower price point and a different vantage. Guests choose and pre-order their meal when they purchase their ticket. This is not a reservation — it is a commitment, and the evening is designed to be worth it.
Health and healing at Cass Café is not a class schedule — it is a day of intentional space-holding. Individual healing (spiritual, mental, and physical) and community healing are not separated. A yoga class is also a community gathering. A healing circle is also a creative practice. A neighborhood charette is also a health intervention. Sunday holds all of it.

